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Expat Zone |
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A ‘glassy-eyed’
view of İstanbul
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Paşabahçe’s 2010 “İstanbul Collection” is made up of 32 items based on eight different themes with production limited to 1,299.
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Thousands of years of history, the unparalleled Bosporus view, the natural beauty, poetry, stories and songs that have all come from İstanbul have found new life this year in Paşabahçe’s 2010 “İstanbul Collection.”
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Aydan Öner is one of the designers of this new collection as well as being the director of special collections for Paşabahçe, and he notes that the unique synergy possessed by İstanbul was the real point of departure for this new collection. Says Öner: “İstanbul is officially the 2010 European Capital of Culture, but in our eyes, it is a culture capital for all time. We wanted to underscore this.” And in truth, many of the structures, objects, places of worship, tastes, outfits, flowers and even animals of this city are reflected in this new Paşabahçe collection. This is the ninth special collection released by Paşabahçe since its initial 1997 “Ottoman Collection,” and it is made up of 32 items based on eight different themes. It is a special collection, with production limited to 1,299 pieces of each item. The objects include very special vases, lokum bowls, candle holders, bowls and other notable pieces, many embellished with special stones and gold engravings. The pieces in this collection that were inspired by some of the objects once used in the palaces, which still stand as architectural and historical symbols of İstanbul, are some of the most recognizable objects in this collection. For example, the Çintemani Caftan Vase was inspired by a honey and red-colored caftan that belonged to Fatih Sultan Mehmet and boasted a striking Ottoman “çintemani” motif on it. This vase, made of glass and produced by hand, is gilded in 24 karat gold and decorated with special glass paint. Another object from this collection that attracts attention for its historical inspiration is the aptly titled Sorguç Mirror, which takes its lead from the special mirrors that used to adorn the plumed head ornaments atop the turbans of sultans or other high officials in Ottoman times. Then there is the special “Lokumluk,” a beautifully decorated lokum holder that is decorated with tulip motifs that pull together the ideas of a sweet treat associated with İstanbul as well as the flower so synonymous with the city. Another pieces worth taking a look at from this collection is the turquoise handmade vase decorated with the seagulls of İstanbul in white glass powder. When you also consider the many gorgeous stones and glass beads used in all of these designs, you will find it very hard to resist this new collection. The CEO of Şişecam, Ahmet Kırman, notes that most of the gifts given to visiting heads of state in Turkey come from these special series from Paşabahçe. Kırman says: “İstanbul has historic structures remaining all the way from Byzantine times up to the Ottoman era. We need to give these the recognition and support they deserve. And so we have done this, but by using glass.”
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17 November 2009, Tuesday
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ASLIHAN KÖŞŞEKOĞLU
İSTANBUL
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