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February 13, 2012
 
 
 
 
 
 

‘Lost Songs of Anatolia’ takes audiences on musical journey on big screen

Two local musicians from Midyat in the southeastern province of Mardin perform in a scene from “Anadolu’nun Kayıp Şarkıları.”
12 March 2010 / HATİCE AHSEN UTKU , İSTANBUL
An old woman sings a traditional folk song, leaning on the wall behind her, sitting cross-legged on a couch. She sings until she’s finally out of breath and asks: Is it enough? I’m exhausted!

After the release of the album “Anadolu’nun Kayıp Şarkıları” (Lost Songs of Anatolia), as part of a project that includes a film, a book, an exhibition and a concert tour, about a month ago, the film of the same name, directed by Nezih Ünen, premiered on Wednesday in İstanbul ahead of its theatrical release today.

The project is undoubtedly inspiring as well as thrilling. In a period when Turkey has started to recognize its minorities and different cultures, the project takes the audience on a journey deep into Anatolia and gives people the opportunity to listen to the songs and stories of different communities accompanied by beautiful scenes and some moments from the daily lives of these people.

Already too late

Ünen’s must-see film is considered to be a little overdue by the artists at the premiere. “This project was necessary for this country,” said Arif Sağ, a prominent folk musician, during the premiere, pointing to the two brothers singing a traditional Kurdish elegy. “I think it’s a very smart idea. And it should have been made years ago. Those taboos should have been broken long ago.”

“Nezih is one of the musicians who knows Turkish music very well,” Erhan Güleryüz told Today’s Zaman. “This is a very good work about what exists in Anatolia. I believe we will be able to take lessons from this film even years later. I’m sure that there are many undiscovered songs in Anatolia, but thanks to musicians like Nezih, these songs are seeing the light of day.”

Making our voices heard

The two brothers, Selahattin and Fahrettin Güçtekin, from the Çayçatı village of Varto in the eastern province of Muş, who sang the Kurdish elegy in the film, were also in one of the focuses during the premiere. However, despite the intense interest toward the two brothers, what they were trying to illustrate was the talents and voices getting lost in Anatolia. “There are many artists and musicians in my lands,” says Selahattin Güçtekin, “but they are lost, they are not known because they do not have opportunities.”

“There were many more talented people than us, and they are not alive anymore,” says younger brother Fahrettin Güçtekin, “and we are following their lead so that their voices aren’t lost. We always would like to take part in such projects in order to support our culture.”

The film is capable of providing an answer to the critical process which Turkey is going through with the question, “Who are living in these lands and since when?” From Kırşehir to Mardin, from Artvin to Antalya, the film offers a 97-minute journey with Turkish, Kurdish, Alevi, Yezidi, Armenian, Syrian, Greek, Jewish, Circassian and many other communities and peoples of Turkey united under Rumi’s famous words, “Come, whoever you are.”

 
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