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‘Winter’s Bone,’ ‘Restrepo’ win top Sundance awards
“Restrepo,” which tells of a year in the life of a platoon of US soldiers in Afghanistan, earned the jury prize for best documentary for filmmakers Sebastian Junger (author of “The Perfect Storm”) and Tim Hetherington.
“This country’s in a very painful moment, we’re in the middle of two wars,” Junger said on stage, accepting his award. “If our movie can help this country understand how to go forward, we would be incredibly honored by that.”
Sundance, backed by Robert Redford’s Sundance Institute for film, kicks off the year for movies made outside Hollywood’s major studios, and hits here are often among the most-watched in theaters that show low-budget, art and foreign movies.
“Precious: Based on the Novel ‘Push’ by Sapphire” was a big winner in 2009 and earned critical acclaim and box office success in theaters, and Sundance has helped launch the careers of directors such as Steven Soderbergh and Quentin Tarantino.
While “Winter’s Bone” and “Restrepo” took home top honors from the Sundance juries, audiences also get to vote for their favorites at the festival, which ended on Sunday. Audiences voted “HappyThankYouMorePlease” best drama film. From first-time director and actor Josh Radnor, who stars in US television comedy “How I Met Your Mother,” it tells of six young New Yorkers dealing with life, love and friendship. “I think my movie is rebellious,” Radnor said on stage, echoing a theme of this year’s festival about edgy filmmaking. “It’s about people saying ‘no’ to cynicism and ‘yes’ to love.”
Audiences voted Davis Guggenheim’s (“An Inconvenient Truth”) documentary, “Waiting for Superman,” their favorite non-fiction film. “Superman” is a look at the crumbling US educational system and what can be done to fix it.
US dramatic film directing honors went to Eric Mendelsohn with “3 Backyards,” a trio of tales about three people -- a businessman, housewife and young girl -- who find their lives change on a seemingly normal autumn day.
Among documentaries, Leon Gast was named best director for “Smash His Camera,” a look at the life and career of paparazzi Ron Galella, and the editing award went to Penelope Falk for “Joan Rivers - A Piece Of Work,” a look at the comedienne.
The jury prize winner for documentary was Denmark’s “The Red Chapel,” about an unscrupulous journalist, and the audience trophy went to environmental film “Wasteland,” backed by filmmakers in the United Kingdom and Brazil, about a Brazilian artist who creates images of people using materials from where they live.
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