“She’s a very important person all over the world, but for us this is our family and we’re just trying to come to terms with this,” her daughter-in-law Helen told the Sydney Morning Herald, an Australian daily.
Leading figures in music paid tribute to the singer, best known for the bel canto operas of Donizetti and Bellini. “She actually was ‘Stupenda’,” said Antonio Pappano, music director at the Royal Opera in London. “A lovely human being who could sing anybody off the stage. And I mean anybody. What she did for bel canto music and its technique cannot be underestimated. We have lost one of the true greats.”
The daughter of a gifted singer, Sutherland studied piano and voice with her mother, and made her singing debut in a concert performance of Henry Purcell’s “Dido and Aeneas” in Sydney in 1947. Her operatic debut came in the title role of Sir Eugene Goossens’s “Judith” in 1951. The following year Sutherland was accepted into the company of London’s Royal Opera House, where she first performed as the First Lady in Wolfgang Amadeus Mozart’s “The Magic Flute.”
She sang a wide range of roles, but her husband and long-time collaborator, the conductor Richard Bonynge, was convinced that her future lay in the florid passages of the coloratura repertoire. Sutherland sang in nearly 50 operas, performing with many of the greats of her generation and making dozens of acclaimed recordings. Increasing problems with arthritis and fears that her voice was showing its age persuaded Sutherland to retire in 1990 after a career spanning some 40 years.